No, though film fanatics will likely be curious to at least check out Garbo’s final film. Tim Dirks created the popular website, aka Greatest Films, in mid-1996, and the site has now celebrated its landmark 25th anniversary. Ultimately, this one’s not at all a must-see title, but certainly worth a look by Garbo fans. In the mid-1990s when it was first launched, was one of the first websites to initiate the trend to select 100 Greatest Films in the history of cinema. … but there’s also surprising depth to be found when conducting a closer analysis of the film as a story of feminine “split personalities” - as elucidated in this insightful Bright Lights Film Review essay, which also discusses Cukor’s earlier Sylvia Scarlett (1935). There are countless details of the screenplay to quibble with (Ruth Gordon’s role as Douglas’s secretary is sadly underdeveloped, for instance): … the other an unrepentantly vampish ladies’ man. Directed by George Cukor, it’s a piffle of a romantic comedy, without much substance, yet not particularly offensive indeed, Garbo appears to be having quite a bit of fun playing such radically different screen personae - one a down-to-earth, sporty, independent woman: Two-Faced Woman is perhaps best known as the film that ended Greta Garbo’s career - or, more accurately, the final movie she made before retiring permanently from the screen. As Douglas makes repeated excuses for failing to visit her, Karin (Garbo) decides to surprise him with a visit - but when she spots him with a close female friend (Constance Bennett), she quickly changes her plan of action, presenting herself to Douglas as her worldly, vampish twin sister, Katherine, instead. “It’s a wise man that knows his own wife.”Ī hard-working editor (Melvyn Douglas) marries a ski instructor (Greta Garbo) he meets at a resort in Idaho, but their marriage is immediately compromised when she refuses to follow him back to New York.
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